Goddess of the Sea Review — Is It Worth Reading?

Verdict: A 692-page award-winning pirate fantasy that most readers call well paced and never boring, and a vocal minority calls a stroll — the split is entirely about whether you want this much book.

Best for: Readers who loved Pirates of Aletharia, who want character growth given room to happen, and who are happy for a fantasy romance to be genuinely long.

Heat level: ★★★★☆ (4/5 — romance.io rates it explicit open door)

Rating: ★★★★☆ (4.3/5 — a 4.43 Goodreads average and a Golden Crown Literary Award, against a real minority objection to the pacing)

Tropes: Pirates, dragons, established couple, revenge, found family, sea voyage, sirens, magic-wielding surgeon, sequel romance, epic length.

Goddess of the Sea is book two of Britney Jackson’s Lesbians, Pirates, and Dragons series, a self-published sapphic fantasy romance published in autumn 2024 and a 2025 Golden Crown Literary Award winner, continuing the story of dragon sorcerer Emilia Drakon and Captain Maria Welles after the events of Pirates of Aletharia.

It holds a 4.43 average across 1,101 Goodreads ratings and 139 written reviews, against 4.7 across roughly 618 Amazon ratings. Those are strong numbers and the award is real, but the written reviews contain one of the sharpest disagreements we have seen on a well-rated book, and it is not about the romance or the characters. It is about 692 pages. Both halves of that split are worth understanding before you start.

What Is Goddess of the Sea About?

Sequels to enemies-to-lovers books have a structural problem: the engine that drove book one is spent. Jackson’s answer is to shift from antagonism to partnership and put the pressure outside the relationship — Maria wants her enemies to bleed, Emilia has her own reasons for being on this ship, and the sea supplies the rest. That means this reads as an adventure novel with an established couple at its centre rather than a courtship.

It is also considerably longer than book one, and that length is spent on character growth rather than plot complication. Readers who like the book say so directly: fantastic character growth from both Emilia and Maria is the phrasing, and it comes with the claim that the pacing supports it. Readers who dislike the book are describing the same pages and reaching the opposite conclusion.

What Makes This Sapphic Pirate Fantasy Work

  • Character growth with room to happen: Named as the standout by readers who rate it highly, and specifically credited to both leads rather than one.
  • A Goldie in its own right: The 2025 Golden Crown Literary Award win follows book one’s, which makes this a two-award series rather than a one-off.
  • Established-couple romance: Rarer than it should be. The tension comes from the world rather than from whether they will get together.
  • The sea: Sirens, voyages and dragons give a long book somewhere to go, and the setting is the reason readers forgive the length.
  • Continuity: Readers who came from book one report the world holding together and the payoffs landing where they were set up.

Book Synopsis

Maria Welles is a pirate captain with a list. What she wants, stated plainly, is to see her enemies bleed — and if she also wants safety for her crew, that is a captain’s obligation rather than a softening. She is not a woman in the process of being redeemed by love, which is a refreshing place for a sequel to start.

Emilia Drakon is a dragon sorcerer, a fugitive, and by this point in the series something more complicated than either. The relationship between the two of them survived book one; what it has to survive now is everything that comes after a story ends — the practical business of two dangerous people sharing a ship, a war, and a set of obligations neither of them can put down.

The sea has its own opinions. Sirens, dragons and the political consequences of the first book’s events all press in, and the crew is a found family with a captain who would burn a great deal to protect it. Across 692 pages the question is not whether Emilia and Maria stay together. It is what the two of them are willing to become in order to survive what is coming, and whether the people around them survive it too.

My Review

Goddess of the Sea by Britney Jackson book coverThe most valuable thing this book does is write an established couple properly. Romance as a genre is built around the getting-together, and sequels usually either invent a contrived rift or reduce the couple to background while a new pairing takes the foreground. Jackson does neither. Emilia and Maria are together, they stay together, and the book finds its tension in what two people who have chosen each other then have to survive. Readers respond to it as character growth, and they credit both women rather than one, which is the sign it is working.

The award matters here too, and not as decoration. Book one won a Golden Crown Literary Award and this one won its own in 2025. Two Goldies across two books is a genuine external signal in a category where external signals are almost entirely absent — nearly every other title on our Kindle Unlimited list has no juried recognition of any kind.

The complaint is length, and it is worth quoting because the disagreement is unusually direct. One reviewer says the pacing was terrible, the dialogue juvenile and boring, and that what should have been a journey is instead a stroll because the leads keep getting distracted by how attractive they find each other — complete with a jab about a favourite tree that turns out not to matter. Against that, a reviewer of the same book says it is paced well and that they were never bored, even in the slower moments. Both of those are honest reports. What separates them is whether you consider 692 pages of two people being in love while things happen around them to be the point or the problem.

The expectation to reset is about what a sequel owes you. If you arrived from Pirates of Aletharia wanting the same enemies-to-lovers charge, calibrate: that engine is spent by design and what replaces it is slower and warmer. If the first book’s length worried you, this one is longer — 692 pages against a book that was already substantial.

My honest note: An award-winning sequel that does the hard thing and writes a couple staying together. If you want an adventure with people you already love, this is a lot of it. If you want propulsion, the minority report is not wrong.

Element In Goddess of the Sea
Central relationship Emilia Drakon & Captain Maria Welles — dragon sorcerer and pirate captain, now established
Core tropes Pirates, dragons, established couple, revenge, found family, sea voyage, sirens
Setting The seas of Aletharia, after the events of book one, with sirens and dragons in the water
Heat level 4/5 — explicit open door, per romance.io
Series Lesbians, Pirates, and Dragons book 2 — read book one first; both won Golden Crown Literary Awards
Content notes Explicit sexual content, graphic violence, revenge and killing, peril at sea, references to past trauma

How Spicy Is Goddess of the Sea?

A 4/5. romance.io files it as explicit open door, which fits a 692-page adventure novel — the scenes are present and unambiguous but they are not the structure. One of the critical reviews complains that the leads get distracted by how attractive they find each other, which is a backhanded confirmation that the romance is very much on the page.

Nothing in the reviews requires advance warning beyond the general violence of a pirate novel. For the same band with a faster plot, The Rogue Crown by A.K. Mulford is the closer fit, and Woodborn by Heather Nix runs a comparable seafaring found-family structure at a similar explicitness.

Who Should Read This Book?

You’ll likely love it if: you read book one and want more of these two, you like established-couple romance, you want character growth given actual space, and 692 pages sounds like value rather than a warning.

You may want to skip it if: you need a plot that keeps moving, you came for enemies-to-lovers tension and want it sustained, dialogue that leans warm and playful grates on you, or you have not read Pirates of Aletharia.

In short: an award-winning sequel that trades tension for warmth and length, and knows it.

What Readers Are Actually Saying (August 2026)

This is one of only two books on our Kindle Unlimited list with juried recognition attached — it won a 2025 Golden Crown Literary Award, and its predecessor won one before it. That is the discovery mechanism here as much as anything: the Goldies carry weight in sapphic fiction circles in a way no algorithm does, and they bring readers who would not otherwise browse indie fantasy. Beyond that, the profile is familiar — no trade reviews, no Reddit footprint, no audiobook edition on Libro.fm, and 1,101 Goodreads ratings accumulated steadily since autumn 2024 through Kindle Unlimited and series word of mouth.

Why readers love it (according to the discourse): Character growth, first and most specifically. The phrasing that recurs is fantastic character growth from both Emilia and Maria — both, not one, which matters in a sequel where the easy option is to develop one lead and park the other. Second, the pacing, which the majority defend explicitly: paced well, never bored, even in the slower moments. That is a reader pre-empting the complaint they know exists. Third, the sea itself — sirens, dragons and voyage structure give the length somewhere to go. And fourth, the award, which reviewers mention as confirmation rather than as news.

What readers argue about and complain about: Pacing, and the disagreement is unusually blunt. The sharpest negative review says the pacing was terrible and the dialogue juvenile and boring, and lands the specific charge that what should be a journey is a stroll because the leads keep getting distracted by finding each other attractive — with a jab about a favourite tree that turns out not to matter to anything. That is a legitimate reading of a 692-page book about an established couple. Second, length in itself: this is longer than book one and book one was not short. Third, and much quieter, expectation — readers who came for the enemies-to-lovers charge of Pirates of Aletharia find that engine deliberately retired. The genuine split is not about quality. Two reviewers describe the same chapters as never boring and as a stroll, and both are telling the truth about their own experience. What decides it is whether you want to spend 692 pages with a couple who have already chosen each other.

The series question everyone should ask first: Do not start here. This is book two and it continues a specific couple’s story rather than starting a new one, so Pirates of Aletharia comes first — it is also on Kindle Unlimited, so the only cost is a borrow slot. Worth knowing before you commit: book one holds a higher Goodreads average than this one, and it is the tighter book. If you read book one and wanted more of the world, this delivers a great deal of it. If you read book one and thought it was slightly long, this is not the sequel for you.

Frequently Asked Questions

Do I need to read Pirates of Aletharia first?

Yes. Goddess of the Sea continues Emilia and Maria’s story rather than starting a new one, and the payoffs assume book one. Both are on Kindle Unlimited, so reading in order costs nothing but a borrow slot.

How long is Goddess of the Sea?

692 pages, which makes it the longest book on our Kindle Unlimited list. Length is the main thing readers disagree about — the majority say it is well paced, a vocal minority calls it a stroll.

How spicy is Goddess of the Sea?

A 4/5. romance.io rates it explicit open door. The scenes are on the page but this is an adventure novel first, and the explicit content is a component rather than the structure.

Did Goddess of the Sea win an award?

Yes. It won a Golden Crown Literary Award in 2025, following the Goldie won by Pirates of Aletharia. Two juried awards across two books is unusual for a self-published series.

Is Goddess of the Sea an enemies-to-lovers romance?

No. That engine belongs to book one. Emilia and Maria are an established couple here, and the tension comes from the world around them rather than from the relationship.

Is Goddess of the Sea on Kindle Unlimited?

Yes, as is Pirates of Aletharia. It carried the Kindle Unlimited badge on its Amazon listing when we checked in August 2026. Availability changes without notice, so confirm the badge before you borrow.

If You Loved Goddess of the Sea, Read These Next

Three land closest. Pirates of Aletharia is the obvious one and should come first — same couple, tighter book, its own Goldie. Woodborn by Heather Nix runs the same seafaring found-family structure with fated mates and a duet arc. And Of Tides and Snow by Darva Green pairs a pirate captain with a fairytale retelling at a higher heat and half the length. For more in the same band, browse our sapphic romantasy on Kindle Unlimited guide or the full run of book reviews.

The Bottom Line

Goddess of the Sea does the thing sequels usually avoid: it keeps its couple together and finds the story in what they survive next. The character growth is real and credited to both women, the sea setting earns its scale, and a second Golden Crown Literary Award is external validation almost nothing else on our Kindle Unlimited list can claim. Against that: it is 692 pages, the enemies-to-lovers charge that powered book one is deliberately gone, and a minority of readers find the result a stroll rather than a voyage. Worth borrowing if you read book one and want to stay in this world. Check Goddess of the Sea on Amazon →

The Eikna Overall Ranking

On the Eikna scale, Goddess of the Sea ranks as an award-winning sapphic adventure sequel — warm, spacious and genuinely well grown, held back by a length not every reader wants, and best approached as more time with a couple you already love rather than as a new story.

The Evidence Scorecard

Overall ★★★★☆ 4.3/5

  • ✓ 4.43 average across 1,101 Goodreads ratings
  • ✓ 4.7 on Amazon across roughly 618 ratings
  • ✓ 2025 Golden Crown Literary Award winner
  • ✓ Pacing objection is real and specific

Romance ★★★★☆ 4.2/5

  • ✓ Established couple written as an actual couple
  • ✓ Tension moved outside the relationship
  • ✓ Both leads develop rather than one
  • ✓ Enemies-to-lovers charge deliberately retired

Characters ★★★★☆ 4.4/5

  • ✓ Growth credited to Emilia and Maria equally
  • ✓ Maria stays hard rather than being softened
  • ✓ Crew functions as a real found family
  • ✓ Cast assumes book one for full effect

Writing ★★★★☆ 4/5

  • ✓ Two Goldies across two books
  • ✓ Sea setting sustains 692 pages for most readers
  • ✓ Majority defend the pacing explicitly
  • ✓ Dialogue called juvenile in the sharpest review

Emotional Impact ★★★★☆ 4.2/5

  • ✓ Revenge motive gives Maria a real drive
  • ✓ Found-family stakes carry the middle
  • ✓ Payoffs land where book one set them up
  • ✓ Low jeopardy for the couple themselves

Heat Level ★★★★☆ 4/5

  • ✓ romance.io explicit open door band
  • ✓ Romance visibly on the page throughout
  • ✓ Critics note the leads’ mutual distraction
  • ✓ Lower volume than top-band KU titles

Ending ★★★★☆ 4.2/5

  • ✓ Resolves its arc without a cliffhanger
  • ✓ Series continues from a stable point
  • ✓ Complete story in a single borrow
  • ✓ Requires book one to land properly

Re-read Value ★★★★☆ 4/5

  • ✓ 692 pages of world to return to
  • ✓ Kindle Unlimited makes re-borrowing free
  • ✓ Award pedigree draws repeat readers
  • ✓ No audio edition on Libro.fm for a second format

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Pirates of Aletharia Review — Is It Worth Reading?

Verdict: A 534-page sapphic pirate epic with a Goldie Award, a devoted following and genuinely great banter — undercut by dialogue that circles the same ground until a good number of readers stop believing the rating.

Best for: Readers who want adventure fantasy with real weight and a slow-burn enemies-to-lovers romance inside it, and who will forgive repetition for atmosphere and voice.

Heat level: ★★★★☆ (4/5 — explicit open door)

Rating: ★★★★☆ (4.1/5 — a 4.36 Goodreads average across 3,367 ratings, with an editing complaint that recurs too often to ignore)

Tropes: Enemies to lovers, pirates, dragons, revenge, found family, forced proximity, tortured heroine, gifted heroine, dangerous women, high fantasy.

Pirates of Aletharia by Britney Jackson is the first book of the Lesbians, Pirates, and Dragons series, a small-press sapphic high fantasy published by Noctem in December 2021, in which Emilia Drakon — the last of the dragon sorcerers after a betrayal by the woman she loved — sets out for vengeance and ends up tricked aboard the ship of Captain Maria Welles, who is every bit as bloodthirsty as the stories say.

It has a 4.36 average across 3,367 Goodreads ratings, a 4.15 across 890 StoryGraph reviews, and the 2022 Goldie Award for Science Fiction and Fantasy from the Golden Crown Literary Society. It is also the book most likely on this site to have readers writing reviews specifically to argue with that average. Both of those things are worth understanding.

What Is Pirates of Aletharia About?

This is high fantasy first and romance second, which is the reverse of most books in the spicy sapphic fantasy conversation. StoryGraph readers mark it 97% adventurous — the highest figure I have recorded for any book reviewed here — with 22% tense and 11% dark, and half of them call it character-driven. At 534 pages it is a commitment, and the pacing reflects that: 60% call it medium-paced and nearly one in five calls it slow.

Emilia arrives carrying grief and a vendetta. She was the youngest and kindest of her order before Catherine, the woman she loved, betrayed her and left her the last of her kind — and what she wants now is the person responsible. Maria Welles wants something of her own and is willing to lie to get Emilia aboard the Wicked Fate to help her get it. The romance grows inside a working pirate crew with its own politics, which is exactly why it takes as long as it does.

What Makes This Sapphic Pirate Fantasy Work

  • The banter: the single most-praised element by a distance. Readers quote the exchanges between Emilia and Maria back at each other, and it is the reason the slow burn holds across 534 pages.
  • Judith: the supporting cast is not decoration, and one crew member in particular gets named in review after review as the reason people stayed. That is rare in a romance this long.
  • The fantasy is load-bearing: dragon sorcery, crew politics, a vendetta plot and a genuinely realised world. Only 3% of StoryGraph readers call it plot-driven, but 97% call it adventurous — the world is doing work even when the plot idles.
  • Real institutional recognition: the 2022 Goldie Award for Science Fiction and Fantasy, verified against the Golden Crown Literary Society’s own winners list. Small-press sapphic fantasy rarely collects credentials like that.
  • Two independent blog reviews, both strongly positive: The Lesbian Review praises the gritty worldbuilding; the Lesbrary called it one of their favourite books of the year.

Book Synopsis

Emilia Drakon was the gentlest of the dragon sorcerers, in the days when there were others. Then Catherine — the woman she trusted most — betrayed her, and the order died with everyone in it but her. What remains is a woman with terrible power, no people, and one clear intention.

Captain Maria Welles has a reputation that arrives before she does: treacherous, violent, entirely without scruple. She also has a vendetta of her own, and she needs a dragon sorcerer to see it through. So she lies, and Emilia finds herself aboard the Wicked Fate among a crew who have every reason not to trust her and one very good reason to keep her alive.

What Emilia expects is a means to an end. What she finds is a captain who is not the monster the stories describe, a crew that starts to feel uncomfortably like people she would miss, and a vengeance that gets harder to want the longer she is away from it. The question the book runs on is not whether these two women will stop hating each other. It is what Emilia will have left to become if she finally catches the person she has been chasing.

My Review

The voice is why this book has the following it has. Jackson writes two women who are genuinely funny at each other, and the banter between Emilia and Maria carries stretches where nothing much is happening — which, across 534 pages, is a considerable amount of load for dialogue to bear. The supporting crew gets the same care. Judith in particular is the kind of secondary character readers name in reviews years later, and the found-family texture around the Wicked Fate is the book’s warmest achievement.

Pirates of Aletharia by Britney Jackson book coverThe fantasy earns its space too, which separates this from most of the sapphic romantasy shelf. There is a real vendetta plot, a functioning magic system with a cost attached, crew politics, and a world that reviewers describe as gritty rather than decorative. StoryGraph’s 97% adventurous rating is the highest I have recorded for any book on this site, and the content warnings — torture, blood, gore — tell you this is not a cosy pirate fantasy.

Where it struggles is repetition, and this is the dominant criticism by a wide margin. Six or seven independent reviewers describe the dialogue as circular — the same emotional beat between Emilia and Maria relitigated over and over — and it is the specific complaint that produces this book’s strangest review pattern: at least four reviewers write primarily to say they cannot understand the 4.36 average. That is unusual. Readers rarely bother to argue with a rating unless the gap between their experience and the consensus felt personal. Around it sit the related notes: several readers say the enemies-to-lovers setup is never properly motivated — the hostility arrives on contact without an explicable cause — and both Goodreads and Amazon reviewers independently reach for the same phrase about needing a firmer editor.

The dragons deserve their own warning. The series is called Lesbians, Pirates, and Dragons, and roughly five reviewers flag that the third noun is underserved — one calls it a “severe lack of dragons.” Emilia’s sorcery is dragon-derived rather than dragon-populated. If you came for creatures, calibrate.

One expectation to reset: the platform spread is stark and worth naming. Amazon shows 4.8 with literally zero percent at one or two stars across 1,690 ratings; Goodreads shows 4.36 with about 5% there. When a book has no critical reviews on one platform and a vocal contingent on another, the honest read is that the people who bought it deliberately loved it and the broader audience was more divided.

My honest note: A genuinely good adventure fantasy with a romance worth the wait, at least eighty pages longer than its dialogue can sustain. If you read long books for voice and crew and atmosphere, this is a keeper; if repetition wears you down, the middle will.

Element In Pirates of Aletharia
Central relationship Emilia Drakon & Captain Maria Welles — last dragon sorcerer and feared pirate captain, enemies to lovers
Core tropes Enemies to lovers, revenge, found family, forced proximity, tortured heroine, gifted heroine, pirates
Setting The high seas of Aletharia, aboard the pirate ship Wicked Fate, in a world of dragon sorcery and witches
Heat level 4/5 — explicit open door, arriving late after a long slow burn
Series Lesbians, Pirates, and Dragons book 1 of 2 — book two, Goddess of the Sea, published 2024; no book three announced
Content notes Graphic violence, sexual content and injury detail; torture, blood and gore; slavery, sexual harassment and misogyny in the background

How Spicy Is Pirates of Aletharia?

A 4/5. romance.io rates the steam level “explicit open door” — one band below its top rating — and that is the right call: the sex is on the page and unambiguous when it arrives, but it arrives late, after a slow burn that occupies most of the book. StoryGraph’s crowd warnings list sexual content under “graphic,” which corroborates the rating rather than the alternative.

Worth flagging one disagreement: at least one third-party heat aggregator rates this book much lower, at 2/5. Having weighed romance.io’s rating against StoryGraph’s graphic content flag and the reader reports, I think 4/5 is correct and the outlier is wrong — but you should know the sources differ. If you want this heat band with the payoff arriving sooner, Her Spell That Binds Me and Dragon Queens both sit a band higher and get there faster.

Who Should Read This Book?

You’ll likely love it if: you want fantasy that takes itself seriously with a romance inside it, you read slow burn for the burn rather than the payoff, you love a well-drawn secondary cast, and 534 pages reads as generous rather than daunting.

You may want to skip it if: repetitive dialogue wears you down, you need the hostility in enemies-to-lovers to have a stated cause, you came for dragons in quantity, or you want the explicit content before the eighty per cent mark.

In short: an award-winning pirate epic with a real world and a real romance, carrying about a hundred pages of circling it never edited out.

What Readers Are Actually Saying (August 2026)

Nearly five years on, this book occupies an unusual position: institutionally decorated, well loved by a devoted core, and almost entirely absent from the places books get argued about. The Goldie Award is real — verified against the Golden Crown Literary Society’s own 2022 winners list, Science Fiction and Fantasy category — and small-press sapphic fantasy rarely collects one. Two independent genre blogs reviewed it warmly: The Lesbian Review praised the gritty worldbuilding while flagging the violence, and the Lesbrary called it one of their favourite books of that year while noting a rushed opening chapter. There is no Kirkus and no Publishers Weekly, which is expected for Noctem. Reddit has no dedicated thread anywhere — the book surfaces only inside automated romance.io tagging round-ups and one genuine r/LesbianBookClub post where a reader names it as a comfort-reread archetype, which is a small but telling data point about who keeps it. BookTok activity exists and reads as organic — fan art, stick-figure comics, “LESBIAN PIRATES” videos from unaffiliated accounts pulling tens of thousands of plays — with no author account visible to have seeded it. The Tantor Audio edition, narrated by Lindsey Dorcus across sixteen hours and forty-six minutes, is how a lot of readers now arrive.

Why readers love it (according to the discourse): The banter, first and most consistently — it is the thing quoted, screenshotted and recommended. Then the supporting cast, with Judith named specifically often enough to be a phenomenon rather than a coincidence. The worldbuilding draws real praise for feeling lived-in and genuinely dangerous rather than aesthetic. The slow burn is defended by its fans precisely because it is slow: readers who love this book describe the wait as the point. And the found-family texture aboard the Wicked Fate is what readers say brings them back for rereads.

What readers argue about and complain about: Repetition, above everything. Six or seven independent reviewers describe circular dialogue that relitigates the same beat between the leads, and one puts it as ninety per cent of the book being the two of them going back and forth. Unusually, this produces a second-order pattern: at least four reviewers write primarily to express disbelief at the 4.36 average, which is a form of criticism you rarely see unless the gap felt personal. Second: the enemies-to-lovers premise, which several readers say is never motivated — the animosity is instant and unexplained. Third: the dragons, or their scarcity, raised by around five readers against a series title that promises them. Editing comes up on both Goodreads and Amazon independently, with reviewers reaching for the same phrasing about needing a firmer hand. Two name the ending specifically as a letdown. And one two-star reviewer contradicts the majority entirely, praising the worldbuilding and crew while blaming only Emilia’s characterisation — worth knowing, because it suggests the flaw is narrower than the loudest reviews claim.

The series question worth asking first: the romance between Emilia and Maria resolves within book one, but the wider story does not — The Lesbian Review characterises the book as closing on an unresolved cliffhanger at the series level, while plot summaries describe a satisfying HEA for the couple. Both are true at different scales, and which one matters depends on you. Book two, Goddess of the Sea, published in 2024 and is rated higher than book one at 4.43 across 1,099 ratings. No book three has been announced, and readers have been asking on the author’s own site without a clear answer.

Frequently Asked Questions

How spicy is Pirates of Aletharia?

A 4/5. romance.io rates it “explicit open door,” one band below its top level. The explicit content is unambiguous but arrives late, after a slow burn occupying most of the 534 pages.

Does Pirates of Aletharia end on a cliffhanger?

Depends on the scale. The romance between Emilia and Maria resolves within book one, but the wider series plot does not — The Lesbian Review describes it as an unresolved cliffhanger at the series level. Book two continues the story.

Is the Lesbians, Pirates, and Dragons series finished?

Not confirmed. Book two, Goddess of the Sea, published in 2024 and is rated higher than book one at 4.43. No book three has been announced, and reader questions about one on the author’s own site remain unanswered.

Are there actually dragons in Pirates of Aletharia?

Fewer than the series title implies, and this is a recurring reader complaint — around five reviewers raise it, one calling it a severe lack of dragons. The magic is dragon-derived sorcery through Emilia rather than dragons as a populated presence.

Is there an audiobook of Pirates of Aletharia?

Yes — narrated by Lindsey Dorcus for Tantor Audio, running about sixteen hours and forty-six minutes, released in November 2022.

If You Loved Pirates of Aletharia, Read These Next

If the adventure-with-romance-inside-it balance is what worked, A Game of Hearts and Heists runs a tighter heist version of the same idea at a higher heat level across a completed series. If it was the dark magic and the rivalry, Her Spell That Binds Me is the dark-academia equivalent. And for the same dragons-and-women premise at a fraction of the length and twice the spice, Dragon Queens does in 315 pages what this does in 534.

For more in this register, browse our guide to sapphic romantasy books or the full Book Reviews collection.

The Bottom Line

Pirates of Aletharia is the most substantial fantasy on this site’s sapphic romantasy shelf and the one with the most devoted following. The banter is genuinely funny, the crew is genuinely loved, the world is genuinely dangerous, and a Goldie Award says the genre’s own institutions agree. It is also repetitive in a way its fans forgive and its critics cannot, built on an animosity the book never explains, and lighter on dragons than its own series title promises. If you read long fantasy for voice and company rather than momentum, this is worth every one of its 534 pages. Check Pirates of Aletharia on Amazon →

The Eikna Overall Ranking

On the Eikna scale, Pirates of Aletharia ranks as an award-winning small-press sapphic adventure fantasy — richly built, warmly voiced and genuinely beloved, held back by repetition its editor should have caught, and best approached for the crew and the banter rather than for the dragons.

The Evidence Scorecard

Overall ★★★★☆ 4.1/5

  • ✓ 4.36 average across 3,367 Goodreads ratings
  • ✓ 2022 Goldie Award for Science Fiction and Fantasy
  • ✓ Two independent blog reviews, both positive
  • ✓ Repetition draws reviews arguing with the rating

Romance ★★★★☆ 4/5

  • ✓ Banter carries 534 pages of slow burn
  • ✓ Enemies-to-lovers survives the hostile phase
  • ✓ Payoff earns the wait for its defenders
  • ✓ Initial animosity never actually motivated

Characters ★★★★☆ 4.2/5

  • ✓ 51% of readers call it character-driven
  • ✓ Judith named by reviewers years later
  • ✓ Emilia carries real grief and cost
  • ✓ Emilia divides readers as a narrator

Writing ★★★★☆ 3.5/5

  • ✓ Dialogue genuinely funny at its best
  • ✓ Worldbuilding reads gritty, not decorative
  • ✓ 97% of readers mark it adventurous
  • ✓ Circular dialogue is the dominant complaint

Emotional Impact ★★★★☆ 4/5

  • ✓ Betrayal and genocide give real stakes
  • ✓ Found family aboard the ship lands
  • ✓ 36% of readers mark it emotional
  • ✓ Repetition blunts the emotional beats

Heat Level ★★★★☆ 4/5

  • ✓ romance.io rates it explicit open door
  • ✓ On the page and unambiguous
  • ✓ StoryGraph flags sexual content as graphic
  • ✓ Arrives late after a very long burn

Ending ★★★★☆ 3.7/5

  • ✓ Romance resolves within book one
  • ✓ Book two continues and rates higher
  • ✓ Vendetta arc reaches a real turn
  • ✓ Series-level cliffhanger, book three unannounced

Re-read Value ★★★★☆ 4/5

  • ✓ Named as a comfort reread by readers
  • ✓ Crew and banter reward a second pass
  • ✓ Sixteen-hour audiobook is a strong revisit
  • ✓ 534 pages discourage a quick return

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