Dragons are good. Witches are good. Necromancers, rebellious princesses, magical bookshops, murderous empires and women falling in love with other women? Even better.
But finding the best lesbian fantasy audiobooks takes more than finding a good sapphic fantasy novel and checking whether somebody recorded it. Fantasy is hard in audio: dozens of characters, unfamiliar names, invented kingdoms, political factions, magic systems, multiple points of view and twenty or more hours of listening. A great fantasy narrator doesn’t merely read the book; the performance helps you understand the world.
This is a fantasy guide, not another romance list. A book belongs here because its protagonist, a central relationship or a major storyline is sapphic; romance doesn’t have to be the main plot. Some picks have central romances. Some are epic fantasy with an important sapphic relationship inside a much bigger story. Some are cozy, some are dark, and some may emotionally destroy you. We’ll tell you which is which.
For sapphic audiobooks across every genre, start with our Best Lesbian Audiobooks hub.
- Romance role labeled on every pick
- Listening complexity rating
- Audio vs print advice
- Cozy to epic
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Quick finderTop 12Is it romance?Cozy, epic, dark & historicalBy listening timeAudio or print?NarratorsEndings, road trips & free optionsFAQQuick Finder: Choose Your Sapphic Fantasy Audiobook
| If you want… | Start with | Narrator | Runtime | Fantasy style |
|---|---|---|---|---|
| Unforgettable performance | Gideon the Ninth | Moira Quirk | 16h 50m | Gothic science fantasy |
| Cozy fantasy | Legends & Lattes | Travis Baldree | 7h 19m | Cozy fantasy |
| Cozy sapphic couple | Can’t Spell Treason Without Tea | Jessica Threet | 11h 44m (US edition) | Cozy romantasy |
| Epic sapphic fantasy | The Jasmine Throne | Shiromi Arserio | 19h 43m | Epic / political fantasy |
| Massive standalone | The Priory of the Orange Tree | Liyah Summers | About 25h 53m (U.S. unabridged) | Epic high fantasy |
| Political / military fantasy | The Unbroken | Rasha Zamamiri | 18h 20m | Political fantasy |
| Rebellion + epic fantasy | The Final Strife | Nicole Lewis & Dominic Hoffman | 19h 48m | Epic fantasy |
| Queer historical epic | She Who Became the Sun | Natalie Naudus | 14h 36m | Historical fantasy |
| Sapphic romantasy | The Honey Witch | Mia Hutchinson Shaw | 13h 01m | Romantic fantasy |
| Witches + historical fantasy | The Once and Future Witches | Gabra Zackman | 16h 03m | Historical fantasy |
| Fantasy + science fiction | Light From Uncommon Stars | Cindy Kay | 13h 13m | Genre-blending speculative |
| Dark but short | Even Though I Knew the End | January LaVoy | 3h 52m | Supernatural noir |
Start Here: The 12 Best Sapphic Fantasy Audiobooks
#1 · Best for character voices and performance
Gideon the Ninth
Tamsyn Muir
- Narrator Moira Quirk
- Runtime 16h 50m
- Series The Locked Tomb #1
- Fantasy style Gothic science fantasy
- Romance role Not a conventional romance
- Listening complexity High
Nine Houses. Necromancers. Sword fighters. An emperor who needs necromancers, a deadly competition, and Gideon Nav, who would really prefer to escape all of it.
Gideon the Ninth mixes fantasy, science fiction, gothic horror, murder mystery and queer character dynamics into something very much its own. That complexity is part of the attraction, and it’s why the audiobook matters.
Why listen?
Moira Quirk has to make a large, unusual cast distinguishable without names printed on a page to help you. Gideon and Harrow don’t sound like names being read aloud; they become voices. Her character work is a big reason this production keeps coming up in conversations about outstanding fantasy audio.
Audio warning: this is not effortless listening. There are Houses, titles, necromantic terminology and a sizeable cast. If you often lose track of fantasy names in audio, print may be easier for a first read.
Choose audio if: you love strong character acting.
Choose print if: you need to see unfamiliar names and terminology.
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#2 · Best for political fantasy and slow-building relationships
The Jasmine Throne
Tasha Suri
- Narrator Shiromi Arserio
- Runtime 19h 43m
- Publisher Hachette Audio
- Series The Burning Kingdoms #1
- Fantasy style Epic / political fantasy
- Romance role Major sapphic relationship
- Listening complexity High
Princess Malini has been imprisoned by her brother. Priya is a servant carrying secrets of her own. When their lives intersect, personal desire becomes entangled with rebellion, empire, power and magic.
This isn’t a romance novel wearing fantasy clothing. The relationship between Malini and Priya matters deeply, but so do empire, religion, political violence, family and revolution.
Why listen?
Shiromi Arserio has almost twenty hours to establish the people and atmosphere of Tasha Suri’s world, which makes this a substantial commitment and lets you stay inside the story for days.
Know before listening: don’t choose it because you want a happy lesbian romance. Choose it because you want sapphic epic fantasy, where love exists inside politics and power.
Choose audio if: you enjoy long, immersive political fantasy.
Choose print if: complex political structures are easier for you to retain visually.
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#3 · Best first cozy fantasy audiobook
Legends & Lattes
Travis Baldree
- Narrator Travis Baldree
- Runtime 7h 19m
- Publisher Macmillan Audio
- Fantasy style Cozy fantasy
- Romance role Important romantic thread
- Ending 🌱 Hopeful / romantic
- Listening complexity Easy
Viv has spent her life with a sword, and she’s had enough. Her next great adventure is opening a coffee shop, in a city where almost nobody knows what coffee is. Not every fantasy has to save the kingdom; sometimes building a café, finding community and discovering affection are enough.
Why listen?
Travis Baldree is both the author and an experienced professional audiobook narrator, so the person who created Viv and her companions is also performing them. At 7h 19m it’s one of the least intimidating fantasy audiobooks here: no twenty-six-hour commitment, no enormous political map.
Choose audio if: you want comfort and character voices.
Choose print if: you mainly want a quick visual comfort read.
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#4 · Best for listeners who want a fantasy epic
The Priory of the Orange Tree
Samantha Shannon
- Narrator Liyah Summers
- Runtime About 25h 53m — U.S. unabridged edition
- Publisher Audible Studios
- Series / world Roots of Chaos
- Fantasy style Epic high fantasy
- Romance role Important sapphic relationship within a much larger story
- Listening complexity Very high
Twenty-six hours changes the question. You’re not asking whether you want to listen to this book; you’re asking whether you want to live inside this world for the next week.
Queen Sabran must protect a dynasty. Ead Duryan secretly protects Sabran with forbidden magic. Across the sea, Tané wants to become a dragonrider. And ancient forces are returning. The sapphic relationship matters, but Priory is much larger than its romance.
Why listen?
Liyah Summers performs a large world spanning different cultures, characters and locations, and the sheer runtime makes the audiobook an immersive way in.
Audio isn’t automatically better here. Names, locations, politics, lore and multiple viewpoints are exactly where print has an advantage. If you routinely struggle with those in audio, don’t force it just because this is an audiobook guide. The US unabridged edition is an Audible production, so it isn’t sold on Libro.fm.
Choose audio if: you want a 25-plus-hour fantasy immersion.
Choose print if: you like checking names, maps and earlier details.
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#5 · Best for cozy fantasy with more romance
Can’t Spell Treason Without Tea
Rebecca Thorne
- Narrator Jessica Threet
- Runtime 11h 44m (US Macmillan Audio edition)
- Series Tomes & Tea #1
- Fantasy style Cozy romantasy
- Romance role Central established sapphic couple
- Ending Positive romantic resolution
- Listening complexity Easy to moderate
Reyna is one of the Queen’s private guards. Kianthe is a powerful mage. Their dream isn’t to conquer a kingdom; it’s to run away together and open a bookshop. With tea. Naturally, fantasy refuses to make this simple.
Unlike Legends & Lattes, the relationship starts from a different place: Reyna and Kianthe are already together. Instead of asking whether two women will fall in love, you watch an established sapphic couple try to build a life, a domestic romantic quality many fantasy novels never reach.
Why listen?
Macmillan cites AudioFile’s praise for the humor in Jessica Threet’s performance, and she narrates the rest of the series too: A Pirate’s Life for Tea, Tea You at the Altar and Alchemy and a Cup of Tea.
Choose audio if: you want warmth, humor and an established couple.
Choose print if: bookshop fantasy makes you want the physical book in your hands.
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#6 · Best for empire, rebellion and morally difficult relationships
The Unbroken
C. L. Clark
- Narrator Rasha Zamamiri
- Runtime 18h 20m
- Publisher Hachette Audio
- Series Magic of the Lost #1
- Fantasy style Political / military fantasy
- Romance role Major, complicated sapphic relationship
- Listening complexity High
Touraine was stolen from her homeland as a child and raised as a soldier for the empire. Luca needs someone who can help her negotiate with rebels while she fights for political power. Their relationship unfolds inside colonialism, rebellion, loyalty and violence. This is very far from cozy.
Why listen?
Across more than eighteen hours, Rasha Zamamiri carries both the political conflict and the relationship between Touraine and Luca. It’s for listeners who want sapphic characters inside serious epic fantasy, not fantasy as a romantic backdrop.
Important expectation: don’t approach Touraine and Luca expecting uncomplicated comfort. Power, empire and their political positions all matter.
Choose audio if: you enjoy long political fantasy performances.
Choose print if: you want to examine the politics and worldbuilding more slowly.
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#7 · Best for readers who want more romance in their fantasy
The Honey Witch
Sydney J. Shields
- Narrator Mia Hutchinson Shaw
- Runtime 13h 01m
- Publisher Hachette Audio
- Fantasy style Romantic fantasy
- Romance role Central
- Ending Positive romantic resolution
- Listening complexity Moderate
Marigold Claude becomes the Honey Witch of Innisfree, and the role carries a curse: she cannot find true love. Then she meets Lottie Burke, who doesn’t believe in magic. Which is inconvenient when you’re a witch.
Compare it with The Jasmine Throne. Both have sapphic relationships, but Jasmine says “come for empire, revolution, magic and dangerous attraction,” while The Honey Witch says “come for magic and romance.” Neither is more sapphic; they’re different fantasy structures.
Why listen?
Mia Hutchinson Shaw narrates the unabridged production, giving you about thirteen hours in Marigold’s world.
Choose audio if: romantic atmosphere is a major reason you’re here.
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#8 · Best for revolution and multi-character epic fantasy
The Final Strife
Saara El-Arifi
- Narrators Nicole Lewis & Dominic Hoffman
- Runtime 19h 48m
- Publisher Random House Audio
- Series The Ending Fire #1
- Fantasy style Epic / political fantasy
- Romance role Important sapphic relationship
- Listening complexity High
The empire divides people by blood. Sylah was raised to bring the system down. Anoor has grown up inside privilege, under the shadow of a powerful mother. Hassa knows what it means to be made invisible. Their stories converge around power, revolution and survival, and the attraction between Sylah and Anoor becomes part of that larger conflict.
Why listen?
Unlike most books here, the audiobook uses two narrators. Across nearly twenty hours, that extra vocal differentiation helps in a story with several major characters and a large world.
Important expectation: the relationship matters, but the revolution matters more broadly. Sapphic fantasy doesn’t automatically mean sapphic romance.
Choose audio if: you enjoy multi-narrator epic fantasy.
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#9 · Best for ambition, identity and history-inspired fantasy
She Who Became the Sun
Shelley Parker-Chan
- Narrator Natalie Naudus
- Runtime 14h 36m
- Publisher Macmillan Audio
- Series The Radiant Emperor #1
- Fantasy style Historical / epic fantasy
- Romance role Queer relationship within a larger story
- Listening complexity High
A girl is told her fate is nothing, while her brother is promised greatness. Then he dies, and she takes his identity and his fate. Set against a reimagining of fourteenth-century China under Mongol rule, it follows Zhu’s determination to become something history has told her she cannot be.
Why listen?
Natalie Naudus is already an important voice across our audiobook guides, and this shows a completely different side of her work from One Last Stop. Macmillan’s own audio materials highlight her performance of this epic of fate, ambition and identity.
Classification note: this is queer fantasy, not lesbian genre romance. Gender, identity, ambition and desire are more complicated here than a simple F/F label suggests, which is exactly why this guide is broader than our romance page.
Choose audio if: you want Naudus performing epic historical fantasy rather than contemporary romance.
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#10 · Best for witches, feminism and historical atmosphere
The Once and Future Witches
Alix E. Harrow
- Narrator Gabra Zackman
- Runtime 16h 03m
- Publisher Hachette Audio
- Fantasy style Historical fantasy / witches
- Romance role Sapphic relationship within a story about sisters and women
- Listening complexity Moderate to high
It’s 1893. Witchcraft has been reduced to nursery rhymes and forgotten charms. Three Eastwood sisters join the suffragist movement and start searching for the old ways women once used to wield power.
One of its significant relationships is sapphic, but romance isn’t the organizing principle. That makes it a good example of a book that belongs on a lesbian fantasy page but wouldn’t belong on a page restricted to romantasy.
Why listen?
Gabra Zackman performs more than sixteen hours of sisters, history, magic and folklore.
Choose audio if: you want atmospheric historical fantasy.
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#11 · Best for readers who don’t care where fantasy ends and science fiction begins
Light From Uncommon Stars
Ryka Aoki
- Narrator Cindy Kay
- Runtime 13h 13m
- Publisher Macmillan Audio
- Fantasy style Fantasy + science fiction
- Romance role Important queer romantic storyline within an ensemble
- Ending 🌱 Hopeful
- Listening complexity Moderate to high
A violin teacher made a deal with the devil. A young transgender violinist is running from an abusive home. A retired starship captain runs a donut shop. Those sentences shouldn’t belong in the same book. Here they do.
Why listen?
Cindy Kay’s narration received an AudioFile Earphones Award. That matters here because we aren’t just choosing popular queer fantasy; we’re looking for books where the audio production itself is a reason to listen, and this one navigates very different characters, tones and even genres.
Choose audio if: you enjoy ambitious genre mixtures and character performance.
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#12 · Best short dark fantasy
Even Though I Knew the End
C. L. Polk
- Narrator January LaVoy
- Runtime 3h 52m
- Publisher Recorded Books
- Fantasy style Historical fantasy / supernatural noir
- Romance role Central emotional relationship
- Ending 🌱 Hopeful (bittersweet)
- Listening complexity Easy to moderate
Helen has sold her soul, and she has only days before the consequences arrive. Then a supernatural murder gives her one last chance to change her fate and perhaps preserve a future with the woman she loves.
Why listen?
Not every fantasy audiobook needs nineteen hours. January LaVoy delivers this whole supernatural noir in under four, which makes it an excellent palate cleanser between enormous epics.
Ending: we classify it as 🌱 Hopeful (bittersweet) rather than HEA. Our Happy Endings guide explains why.
Choose audio if: you want atmosphere and fantasy without an epic commitment.
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Which Sapphic Fantasy Audiobooks Are Actually Romance?
This matters, especially if you’ve arrived from our romance pages. Sapphic fantasy and sapphic romantasy aren’t synonyms: in romantasy the romantic arc carries much more structural weight. Don’t assume every title here promises an HEA, and don’t judge books by romance expectations they never set.
Romance-forward
The relationship is a primary reason to listen.
Major sapphic relationship, fantasy first
Romance shares the stage with politics, war, magic, empire or adventure.
The Jasmine Throne, The Unbroken, The Priory of the Orange Tree, The Final Strife
Queer story, not genre romance
Sapphic or queer at the core, but not structured as a romance novel.
Gideon the Ninth, She Who Became the Sun, The Once and Future Witches, Light From Uncommon Stars
If romance is the main reason you’re choosing, start with the first group, or go to our Best Lesbian Romance Audiobooks guide.
Cozy, Epic, Dark or Historical: Choose by Mood
Cozy sapphic fantasy
If epic fantasy sounds exhausting today, start here.
- Legends & Lattes · 7h 19m. Coffee shop, found family, low stakes. The easiest entry point on the page
- Can’t Spell Treason Without Tea · 11h 44m. Bookshop, tea and an established sapphic couple, with the romance built into the premise
- A Pirate’s Life for Tea (Tomes & Tea #2, Jessica Threet). The world moves onto the water, with lesbian pirates and an enemies-to-lovers romance between river pirate Serina and a constable alongside Reyna and Kianthe’s story. If Threet works for you in book one, you don’t have to leave the series.
Sapphic epic fantasy
This is where the commitment gets serious. Choose these because you want epic fantasy where queer women belong at the center of enormous stories, not just because you want two women to kiss.
- The Priory of the Orange Tree · About 25h 53m. Dragons, queens, mages and many cultures
- The Final Strife · 19h 48m. Revolution and a blood-based hierarchy
- The Jasmine Throne · 19h 43m. Empire, rebellion, magic and dangerous attraction
- The Unbroken · 18h 20m. Military fantasy, colonial power and a deeply complicated relationship
- She Who Became the Sun · 14h 36m. History-inspired queer fantasy of identity and power
Dark sapphic fantasy
Want the opposite of cozy? “Dark” doesn’t mean the same thing for each of these; it means don’t choose them for emotional comfort.
- Gideon the Ninth. Necromancy, death and gothic mystery
- The Unbroken. Empire, war, colonialism and morally difficult choices
- The Jasmine Throne. Political violence, imprisonment and rebellion
- Even Though I Knew the End. Murder, damnation and noir in under four hours
Historical sapphic fantasy
Here the narrator has to suggest a period without making the characters feel like museum exhibits. These three are radically different, which is why “historical” works better as a discovery path than a formula.
- She Who Became the Sun. Fourteenth-century China-inspired epic
- The Once and Future Witches. An alternative 1893, suffrage and witchcraft
- Even Though I Knew the End. Supernatural noir with a historical setting
Sapphic Fantasy Audiobooks by Listening Time
- Under 5 hours: Even Though I Knew the End (3h 52m).
- 6–8 hours: Legends & Lattes (7h 19m), the easiest commitment here.
- 10–14 hours: Can’t Spell Treason Without Tea (11h 44m), The Honey Witch (13h 01m), Light From Uncommon Stars (13h 13m), She Who Became the Sun (14h 36m). Substantial worldbuilding without an enormous epic.
- 15–20 hours: The Once and Future Witches (16h 03m), Gideon the Ninth (16h 50m), The Unbroken (18h 20m), The Jasmine Throne (19h 43m), The Final Strife (19h 48m). Serious fantasy-audiobook territory.
- 20+ hours: The Priory of the Orange Tree (about 25h 53m). Bring snacks. Or a very long drive.
Is Sapphic Fantasy Better in Audio or Print?
Audio has real advantages: a skilled narrator makes characters instantly recognizable, emotional subtext clearer and humor land differently, and a twenty-hour fantasy becomes something you can experience while walking or driving.
But fantasy can be unusually hard in audio. You may prefer print if you often need to look at maps, check character names, reread political explanations, compare unfamiliar terminology or flip back to remember who belongs to which faction. That isn’t an argument against audiobooks; it’s an argument against pretending audio is always the better format.
For Legends & Lattes, audio is easy to recommend. For The Priory of the Orange Tree, the decision is more personal. For Gideon the Ninth, Moira Quirk’s performance is a major reason to choose audio, and the complexity is a reason print helps. Both can be true.
Narrators to Follow for Sapphic Fantasy
- Moira Quirk: start with Gideon the Ninth; if her character work clicks, continue through The Locked Tomb.
- Natalie Naudus: don’t judge her range only by contemporary romance. She Who Became the Sun puts her into epic, history-inspired fantasy.
- Jessica Threet: her Tomes & Tea performances make her a key voice for cozy sapphic fantasy.
- Cindy Kay: Light From Uncommon Stars earned her an AudioFile Earphones Award.
- Shiromi Arserio: entering Tasha Suri’s Burning Kingdoms means many hours with her voice.
For a narrator-first approach across genres, see our Best Sapphic Audiobook Narrators guide.
Before You Choose: Endings, Long Drives and Free Options
Want a happy ending? Fantasy makes this complicated: a book can be queer, romantic and beautiful and still not be what you need when you want reassurance. Don’t infer the ending from the presence of a sapphic romance. Our Lesbian Audiobooks With Happy Endings guide separates HEA, HFN, positive romantic resolution, hopeful and bittersweet endings.
Listening on a long drive? Runtime isn’t the only consideration. Priory may cover an enormous drive but demands attention, Gideon comes with a large cast and unusual worldbuilding, and Legends & Lattes is far easier to return to after a fuel stop. Our Road Trips & Long Drives guide rates books specifically for driving.
Want to try before you buy? Fantasy series get expensive, and library availability can make the difference between trying one book and committing to a series. Our Free Lesbian Audiobooks guide explains how to search Libby, Hoopla and, where eligible, the Queer Liberation Library.
How We Chose These Sapphic Fantasy Audiobooks
A book doesn’t qualify just because it’s fantasy, has one queer secondary character and has an audiobook. We look for meaningful lesbian, sapphic or queer-women representation in the protagonist, a central relationship or a major storyline. Then we evaluate the audio edition separately: narrator, runtime, publisher or edition, narration format, series position and what the performance actually has to accomplish.
We also separate fantasy from romantasy, and a fantasy novel with a sapphic relationship from genre romance with fantasy elements, so you can choose the book you actually want. Audiobook metadata can differ between countries and retailers; where editions differ, we name the edition. Last verified: September 2026.
Frequently Asked Questions About Lesbian Fantasy Audiobooks
What are the best lesbian fantasy audiobooks?
Strong starting points include Gideon the Ninth for character performance and gothic science fantasy, The Jasmine Throne for epic political fantasy, Legends & Lattes for cozy fantasy, The Honey Witch for romance-forward fantasy and The Priory of the Orange Tree for a very long epic. The best choice depends on whether you want romance, cozy fantasy, dark fantasy or epic worldbuilding.
What is the best sapphic fantasy audiobook for beginners?
If you’re new to fantasy audiobooks, Legends & Lattes is one of the easiest starting points because it’s relatively short, cozy and contained. If you’re already comfortable with complex fantasy, Gideon the Ninth offers a much more demanding but distinctive audio experience.
What are the best sapphic cozy fantasy audiobooks?
Start with Legends & Lattes and Can’t Spell Treason Without Tea. The first follows an orc opening a coffee shop and building a new life; the second follows an established sapphic couple trying to open a bookshop while fantasy complications refuse to leave them alone.
What are the best sapphic romantasy audiobooks?
The Honey Witch and Can’t Spell Treason Without Tea are strong starting choices when romance is a major reason you’re choosing the fantasy. For epic fantasy with major sapphic relationships rather than a romance-first structure, try The Jasmine Throne or The Priory of the Orange Tree.
Is Gideon the Ninth a lesbian romance?
We wouldn’t classify Gideon the Ninth as a conventional genre romance. It has deeply important queer relationships and lesbian characters, but readers expecting a standard romantic structure and an HEA are bringing the wrong genre expectations. It belongs here as queer and sapphic fantasy.
Is The Priory of the Orange Tree sapphic?
Yes. A major relationship in the novel is sapphic, but the book is a large epic fantasy with many characters, locations and plotlines. The romance matters, but it isn’t the only reason the novel exists.
What is the longest sapphic fantasy audiobook on this list?
The Priory of the Orange Tree, at about 25 hours 53 minutes in the U.S. unabridged Liyah Summers edition, is the longest of our main recommendations.
What is a short lesbian fantasy audiobook?
Even Though I Knew the End, narrated by January LaVoy, runs about 3 hours 52 minutes. It combines sapphic love, supernatural fantasy and noir mystery in a novella-length production.
Are there lesbian fantasy audiobooks with happy endings?
Yes, but not every sapphic fantasy guarantees one. If you want a reassuring outcome, Can’t Spell Treason Without Tea and The Honey Witch are better starting points than darker epic fantasy. Use our Lesbian Audiobooks With Happy Endings guide when the ending is an important part of your decision.
Are sapphic fantasy and sapphic romantasy the same thing?
No. Sapphic fantasy is the broader category: the book may center on war, politics, magic, adventure or mystery while including important sapphic characters and relationships. Sapphic romantasy gives the romantic relationship greater structural importance. A book can be strongly sapphic without being romantasy.
Which sapphic fantasy audiobook has the best narration?
There’s no single objective winner, because narrator preference is personal. Moira Quirk’s Gideon the Ninth, Travis Baldree’s Legends & Lattes, Cindy Kay’s Light From Uncommon Stars and Natalie Naudus’s She Who Became the Sun offer very different kinds of performance. Listen to samples before committing to a long production.
Where can I listen to lesbian fantasy audiobooks for free?
Check your library through Libby or Hoopla before buying. Availability varies by library and country, so we don’t label any commercial fantasy audiobook universally free. Our Free Lesbian Audiobooks guide explains the legal options.
Choose the Fantasy First, Then the Romance
The most useful question isn’t “What’s the best lesbian fantasy audiobook?” It’s “What kind of fantasy do I want?”
- Comfort: Legends & Lattes.
- Cozy fantasy with an established sapphic couple: Can’t Spell Treason Without Tea.
- Romance-forward magic: The Honey Witch.
- Politics, empire and dangerous attraction: The Jasmine Throne.
- Rebellion: The Unbroken or The Final Strife.
- Witches and history: The Once and Future Witches.
- A short supernatural noir: Even Though I Knew the End.
- Nearly seventeen hours of necromancy, swords and one of fantasy audio’s most distinctive performances: Gideon the Ninth.
- More than twenty-five hours inside an enormous world: The Priory of the Orange Tree.
The sapphic relationship matters. So does the fantasy. A good recommendation should respect both.